Contemporary art stretches beyond the boundaries of an individual medium and of a single national border. With this encouragement of diversity, fluidity and mobility, art becomes a form of social empowerment by the very surrender of singularity. Reviewing the work of four artists - the Turkish-Cypriot fashion designer and installation/video artist Hussein Chalayan; the British graffiti artist known as Banksy; the New York installation artist Spencer Tunick; and the New York-based multimedia artist Anna Lascari - this piece of commentary aims to show how, in the late twentieth and early twentyfirst century, certain art expresses its resistance through various media: whether it be social or political resistance, or resistance to any type of ‘conformity’ which may restrict the potential found in mobility and hybridity.
How to Cite
Petrides, M., (2006) “Chadors and Graffiti, EU Flags and Iconic Bodies: Four Contemporary Visual Artists”, Opticon1826 1.