Abstract
The late Frank Kermode defined ‘the classic’ as the endlessly re-readable text. Classics energise the critical sphere afresh in each generation by proving themselves open to novel adaptations whilst escaping the confines of any particular interpretation. The plot-driven detective genre, which all too often fakes novelty by rearranging the Cluedo pieces, places an overt structural emphasis on interpretive closure. Threatening to reduce reading to riddle-solving, detective literature would thus appear to be the very antithesis of Kermode’s classically good read.
How to Cite
Ingleby, M., (2011) “Murder on the Orient Express”, Opticon1826 10.
152
Views
60
Downloads