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    <front>
        <journal-meta>
            <journal-id journal-id-type="publisher"/>
            <journal-title-group>
                <journal-title>Papers from the Institute of Archaeology</journal-title>
            </journal-title-group>
            <issn>2041-9015</issn>
            <publisher>
                <publisher-name>Ubiquity Press</publisher-name>
            </publisher>
        </journal-meta>
        <article-meta>
            <article-id pub-id-type="doi">10.5334/pia.424</article-id>
            <article-categories>
                <subj-group>
                    <subject>Short report</subject>
                </subj-group>
            </article-categories>
            <title-group>
                <article-title>Who Or What Is Werethekau &#8216;Great of Magic&#8217;? A Problematic
                    Inscription (UC 16639)</article-title>
            </title-group>
            <contrib-group>
                <contrib contrib-type="author">
                    <name>
                        <surname>Mekawy Ouda</surname>
                        <given-names>Ahmed M.</given-names>
                    </name>
                    <email>ahmed.ouda.09@ucl.ac.uk</email>
                    <xref ref-type="aff" rid="aff-1"/>
                </contrib>
            </contrib-group>
            <aff id="aff-1">Cairo University/UCL, Institute of Archaeology, United Kingdom</aff>
            <pub-date publication-format="electronic" iso-8601-date="2013-08-28">
                <day>28</day>
                <month>08</month>
                <year>2013</year>
            </pub-date>
            <volume>23</volume>
            <issue>1</issue>
            <elocation-id>8</elocation-id>
            <permissions>
                <copyright-statement>Copyright: &#x00A9; 2013 The Author(s)</copyright-statement>
                <copyright-year>2013</copyright-year>
                <license license-type="open-access"
                    xlink:href="http://creativecommons.org/licenses/by/3.0/">
                    <license-p>This is an open-access article distributed under the terms of the
                        Creative Commons Attribution 3.0 Unported License (CC-BY 3.0), which permits
                        unrestricted use, distribution, and reproduction in any medium, provided the
                        original author and source are credited. See <uri
                            xlink:href="http://creativecommons.org/licenses/by/3.0/"
                            >http://creativecommons.org/licenses/by/3.0/</uri>.</license-p>
                </license>
            </permissions>
            <self-uri xlink:href="http://www.pia-journal.co.uk/article/view/pia.424" />
            <abstract>
                <p>In this paper, I investigate the identity of Werethekau through a previously
                    unpublished limestone block at the Petrie Museum (UC 16639). It is not recorded
                    when or where this block was found; the context, a central and identifying
                    feature for the archaeological discipline, is lost (<xref ref-type="bibr"
                        rid="B28">Johnson 1999: 107</xref>). The Petrie Museum records do not
                    include the method or date of acquisition. I will focus here on the following
                    questions: What does this object represent? Who is Werethekau? Is it an epithet
                    for a goddess, or a name for a material object, or for a goddess frequently
                    associated with the coronation of the king? The discussion also introduces the
                    approach on which I rely for the identification of the object and its
                    chronology. A further aim in this publication is to bring the object to the
                    attention of a wider readership of scholars of Egyptian archaeology in an
                    attempt to find the missing parts.</p>
            </abstract>
        </article-meta>
    </front>
    <body>
        <p>Almost three years ago, I came to University College London, meeting curator Stephen
            Quirke at the Petrie Museum of Egyptian Archaeology. The inscribed limestone block UC
            16639 attracted my attention as a source for the name of Werethekau, the topic of my PhD
            thesis <italic>Werethekau &#8216;Great of Magic&#8217; in the religious landscape of
                ancient Egypt</italic>, which investigates the materiality and scope of Werethekau
            within the religious landscape of ancient Egyptian archaeology. This name is attested
            from the third millennium BC to the Roman Period (2375- BC-AD 395) as: (a) a designation
            for a material object (e.g. Red Crown, White Crown, Double Crown, the amulets of the
            vulture and the cobra (<xref ref-type="bibr" rid="B23">Hannig 2006: 705&#8211;6</xref>;
                <xref ref-type="bibr" rid="B32">Nebe 1986: 1221&#8211;2</xref>) (b) as an epithet
            for other goddesses (e.g. &#8216;Isis, the great, mother of the god, lady of heaven,
                <italic>Great of Magic</italic>&#8217; (<xref ref-type="bibr" rid="B33">Nelson 1981:
                pls. 88 (7), 138 (32)), and (c)</xref>as the name for a separate goddess who is
            associated with the coronation of the king (e.g. <xref ref-type="bibr" rid="B1"
                >Abdel-Raziq 1986: 65, 67, 70&#8211;71</xref>; <xref ref-type="bibr" rid="B4">Badawy
                    <italic>et al.</italic> 1989: 25, 43, pl. 20</xref>; <xref ref-type="bibr"
                rid="B8">Burgos and Larch&#233; 2006: 79, 84, 124, 127, 138&#8211;139,
                140&#8211;141</xref>; <xref ref-type="bibr" rid="B33">Nelson 1981: pls. 70,
                192</xref>).</p>
        <p>The block is not cited in the lexicon of Leitz on Egyptian deities (<xref ref-type="bibr"
                rid="B31">2002: II, 493&#8211;98</xref>), and seems never to have been published. It
            is kept at the Petrie Museum (Figure <xref ref-type="fig" rid="F1">1</xref>). The date
            of acquisition is not recorded. Petrie (<xref ref-type="bibr" rid="B35">1937:
                ix-x</xref>) did not keep an accession register, compiling instead simple
            inventories for overlapping publications of each type of object. In the main, the museum
            accurately records the measurements and date of acquisition of each object in its
            register, but unfortunately, UC 16639 does not have a date of acquisition.</p>
        <fig id="F1">
            <label>Fig. 1</label>
            <caption>
                <p>A left jamb fragment, UC 16639. Courtesy of the Petrie Museum of Egyptian
                    Archaeology</p>
            </caption>
            <graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig01_web.jpg"/>
        </fig>
        <p>The object is almost square, measuring 17 cm in height and 15 cm in width. There is a
            vertical column of sunken hieroglyphic inscriptions between two incised lines, reading
            from right to left. The signs are roughly formed. The lower part may have been
            re-carved. The hieroglyphic inscription is interrupted at the top and bottom of the
            block, indicating that it is a part of a vertical stack of blocks (cf. <xref
                ref-type="bibr" rid="B2">Arnold 2003: 74</xref>). The right side of the block is
            almost flat while the left side is rough and leans at an angle (Figure <xref
                ref-type="fig" rid="F2">2</xref>). There are surviving marks of tool-cuts. This
            suggests that the right side forms the inside part of this object, the left side forms
            the outer side, and the block itself forms the left part of a bigger building (cf. <xref
                ref-type="bibr" rid="B22">Habachi 1985: pls. 8, 38</xref>). The back of the block is
            nearly flat and has black spots; there are also visible tool-marks (Figure <xref
                ref-type="fig" rid="F3">3</xref>). It was probably designed to be placed in mud
            brick (cf. <xref ref-type="bibr" rid="B42">Spencer 1997: pls. 94 b,
            122&#8211;3</xref>).</p>
        <fig id="F2">
            <label>Fig. 2</label>
            <caption>
                <p>The right (A) and the left (B) sides of UC 16639. Courtesy of the Petrie Museum
                    of Egyptian Archaeology</p>
            </caption>
            <graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig02_web.jpg"/>
        </fig>
        <fig id="F3">
            <label>Fig. 3</label>
            <caption>
                <p>The back of UC 16639. Courtesy of the Petrie Museum of Egyptian Archaeology</p>
            </caption>
            <graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig03_web.jpg"/>
        </fig>
        <p>A. J. Arkell, curator of the Petrie Museum (1948&#8211;63, <xref ref-type="bibr"
                rid="B14">Dawson 1995: 19</xref>), wrote the registration entry pertaining to this
            object in 1960: &#8216;Provenance?? Fayum&#8217;. This way of recording is misleading;
            why did he suppose that the provenance was the Fayum? He may simply have drawn this
            conclusion because he thought (wrongly: see below) that the name of the god Sebek of the
            Fayum is written on the inscription (Figure <xref ref-type="fig" rid="F1">1</xref>).
            There is no further documentation for this object, so it is not clear who found the
            object. The four main possibilities for the finder are:</p>
        <disp-quote>
            <p>A. Edwards, who gifted her books and collections of antiquities to University College
                London when she died (<xref ref-type="bibr" rid="B37">Rees 1998: 69</xref>; <xref
                    ref-type="bibr" rid="B36">Quirke 2010: 21</xref>),</p>
            <p>W.M.F. Petrie, who led excavations in Egypt from 1880&#8211;1924 (<xref
                    ref-type="bibr" rid="B16">Drower 1985</xref>; <xref ref-type="bibr" rid="B36"
                    >Quirke 2010</xref>). Over three-quarters of the material in the museum comes
                from excavations directed, or funded by him, and he also purchased objects for UCL
                    (<xref ref-type="bibr" rid="B44">UCL Petrie Collection Online
                Catalogue</xref>),</p>
            <p>A contemporary excavator: possibly J. Garstang who started excavating with Petrie in
                1899 and who was probably taught by Petrie and his wife Hilda (<xref ref-type="bibr"
                    rid="B36">Quirke 2010: 150</xref>), or G. Brunton, who was a student of Petrie
                and excavated with him in Lahun (<xref ref-type="bibr" rid="B16">Drower 1985:
                    327&#8211;8</xref>),</p>
            <p>A contemporary collector.</p>
        </disp-quote>
        <p>Any object has a particular meaning through its context; one can build up associations
            and placements for the context in which the object is found, but the context in this
            case, a central and identifying feature for the archaeological discipline, is lost
                (<xref ref-type="bibr" rid="B28">Johnson 1999: 107</xref>).</p>
        <p>Arkell described the block as follows: &#8216;Limestone fragment with a column of
            hieroglyphs between double incised lines &#8220;great lady of magic Sebek&#8221;&#8217;
            (Museum Register). Regardless of Arkell&#8217;s translation for the names engraved on
            this fragment (see below), this information is not enough to determine what the fragment
            represents. The object could be a left jamb of a door of a small chapel or shrine (cf.
                <xref ref-type="bibr" rid="B22">Habachi 1985: pls. 8, 38, 79b, 100</xref>; <xref
                ref-type="bibr" rid="B42">Spencer 1997: pls. 94, 122</xref>). The fragment can also
            be compared with two sandstone fragments of a jamb found in Aniba Temple (Figure <xref
                ref-type="fig" rid="F4">4</xref>) and dating to the Nineteenth Dynasty (<xref
                ref-type="bibr" rid="B43">Steindorff 1937; 23, pl. 10, 28</xref>). However, the
            material and the style of sunken relief of the Aniba inscription are different. The name
            of Werethekau and her epithets are mentioned on these fragments from Aniba:
            &#8216;Werethekau, lady of the [palace], lady of heaven, mistress of all the lands, she
            may give the great west...&#8217; (<xref ref-type="bibr" rid="B43">Steindorff 1937: 23
                (30), pl. 10, (28)</xref>; for the reading of &#8216;lady of the [palace]&#8217; cf.
                <xref ref-type="bibr" rid="B43">Steindorff 1937: 23 (34), pl. 10, (31b)</xref>). She
            is also mentioned on the left jamb of the offering chapel of Bay in the reign of
            Ramesses III, found at Tell Basta (<xref ref-type="bibr" rid="B20">Gauthier 1923:
                169&#8211;70</xref>; <xref ref-type="bibr" rid="B29">Kitchen 1983: 426,
            2</xref>).</p>
        <fig id="F4">
            <label>Fig. 4</label>
            <caption>
                <p>Jamb invoking Werethekau of the temple of Aniba (<xref ref-type="bibr" rid="B43"
                        >Steindorff 1937: 23 (30), Taf. 10 (28)</xref>)</p>
            </caption>
            <graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig04_web.jpg"/>
        </fig>
        <p>The name of Werethekau on inscription UC 16639 does not elucidate whether it is referring
            to the deity, the epithet, or the material object (cf. <xref ref-type="bibr" rid="B31"
                >Leitz 2002: II, 495, 497, 503</xref>; <xref ref-type="bibr" rid="B32">Nebe 1986:
                1221&#8211;2</xref>; Ouda forthcoming). The solution could be found in the signs
            after and before the name of Werethekau. According to Arkell, the ideographic sign after
            Werethekau&#8217;s name stands for the crocodile Sebek. But the known determinatives for
            Werethekau were the cobra <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig05_web.jpg"/>, <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig06_web.jpg"/>
            crowns <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig07_web.jpg"/>, <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig08_web.jpg"/>,
                <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig09_web.jpg"/>, <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig10_web.jpg"/>
            (e.g. <xref ref-type="bibr" rid="B25">el-Hawary 2010: 123</xref>, Bild. 13, z. 14 c;
                <xref ref-type="bibr" rid="B26">Helck 1955: IV, 559 (8)</xref>; <xref
                ref-type="bibr" rid="B17">Erman and Grapow 1971: I, 328 (6&#8211;7)</xref>), a
            seated woman <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig11_web.jpg"/>, vulture <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig12_web.jpg"/>
                (<xref ref-type="bibr" rid="B23">Hannig 2006: 705&#8211;6</xref>), or a man with his
            hand to his mouth <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig13_web.jpg"/> inside the compound Werethekau (e.g. <xref
                ref-type="bibr" rid="B3">Aston 2000: 160&#8211;161, pl. 2</xref>; <xref
                ref-type="bibr" rid="B34">Ouda 2012: 133</xref>, fig. <xref ref-type="fig" rid="F4"
                >4</xref>). However, the identification of the sign is highly uncertain; the front
            of our sign (see Figure <xref ref-type="fig" rid="F1">1</xref>) is vertical while the
            snout of the crocodile is typically more horizontal and its head extends beyond the base
                <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig14_web.jpg"/> (<xref ref-type="bibr" rid="B19">Gardiner 1957:
                sign-list I. 5</xref>). This is not the case for the sign in UC 16639.</p>
        <p>From my corpus of Werethekau sources, there is no known text in which the name of
            Werethekau is followed by a crocodile. The ideographic sign on UC 16639 is
            epigraphically closer to the cobra than the crocodile. Therefore this name perhaps
            stands for the goddess Werethekau, or the epithet with the determinative of a cobra on a
            basket, which could be used later (cf. <xref ref-type="bibr" rid="B7">Borchardt 1930:
                III, 72 (748)</xref>; <xref ref-type="bibr" rid="B26">Helck 1955: 566 (2)</xref>:
                <xref ref-type="bibr" rid="B27">1995, 5 (10)</xref>). Alternatively, the indistinct
            crocodile could stand for another word or name, especially as the name of Werethekau is
            written sometimes without any of the determinatives mentioned above (e.g. <xref
                ref-type="bibr" rid="B5">Barbotin 1999: 20</xref>; <xref ref-type="bibr" rid="B6"
                >Beinlich and Saleh 1989: 40, 42&#8211;5</xref>; <xref ref-type="bibr" rid="B9"
                >Calverley 1958: pl. 75, 9A</xref>; <xref ref-type="bibr" rid="B24">Hari 1976: pl.
                14A</xref>; <xref ref-type="bibr" rid="B30">Kozloff 1992: 117</xref>, fig. <xref
                ref-type="fig" rid="F3">3A</xref>; <xref ref-type="bibr" rid="B33">Nelson 1981: pls.
                191&#8211;2</xref>).</p>
        <p>Epigraphically, the forms of the signs <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig15_web.jpg"/>
                (<xref ref-type="bibr" rid="B19">Gardiner 1957: sign-list G. 36</xref>), <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig16_web.jpg"/>
                (<xref ref-type="bibr" rid="B19">Gardiner 1957: sign-list D. 28</xref>), and
                <graphic xmlns:xlink="http://www.w3.org/1999/xlink"
                xlink:href="figures/Fig17_web.jpg"/> (<xref ref-type="bibr" rid="B19">Gardiner 1957:
                sign-list V. 28</xref>) on UC 16639 are not diagnostic to establish the exact dating
            of the inscription.</p>
        <p>There is another fragmented sign, in the upper part of the block UC 16639 preceding the
            name of Werethekau, which could be a loaf <graphic
                xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig18_web.jpg"/>
            (fragmented here) on a reed-mat (<xref ref-type="bibr" rid="B19">Gardiner 1957:
                sign-list R. 4</xref>) as a part of an offering formula Htp-(di-nsw) Wrt-HkAw
            &#8216;[an offering]-(that-the-king-gives of) Werethekau&#8217; (Figure <xref
                ref-type="fig" rid="F5">5</xref>; cf. <xref ref-type="bibr" rid="B18">Franke 2003:
                39</xref>). There is ample evidence to support this argument. The &#8216;offering
            formula&#8217; of Werethekau is attested on eleven objects (Table <xref ref-type="table"
                rid="T1">1</xref>). Similarly to our assumption regarding UC 16639, the offering
            formula of Werethekau is attested on the left jamb of the offering chapel of Bay, which
            is dated to Ramesses III, from Bubastis (<xref ref-type="bibr" rid="B29">Kitchen 1983:
                V, 426 (2)</xref>), a lintel from Amara West (<xref ref-type="bibr" rid="B41"
                >Spencer 2009: 59, pl. 29</xref>) and the lintel of Ra-nefer from Aniba (<xref
                ref-type="bibr" rid="B43">Steindorff 1937: 23 (34), Tf. 10, (31b)</xref>), both of
            the Ramesside Period.</p>
        <fig id="F5">
            <label>Fig. 5</label>
            <caption>
                <p>The assumed reading: &#8216;[an-offering] (that-the-king-gives of the goddess)
                    Werethekau&#8217;, for UC 16639</p>
            </caption>
            <graphic xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="figures/Fig19_web.jpg"/>
        </fig>
        <table-wrap id="T1">
            <label>Tab.1</label>
            <caption>
                <p>The offering formulae of Werethekau</p>
            </caption>
            <table>
                <tr>
                    <th align="center">No</th>
                    <th align="left">Source</th>
                    <th align="center">Dynasty</th>
                    <th align="left">Material</th>
                    <th align="left">References</th>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">1</td>
                    <td align="left">Statue of Hor (New York MMA 23.8) from Dendara</td>
                    <td align="center">18</td>
                    <td align="left">granite</td>
                    <td align="left"><xref ref-type="bibr" rid="B27">Helck 1995: 58</xref>; <xref
                            ref-type="bibr" rid="B39">Schulz 1992: 436&#8211;7</xref>; <xref
                            ref-type="bibr" rid="B45">Walle 1971: 132</xref>, fig. <xref
                            ref-type="fig" rid="F1">1</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">2</td>
                    <td align="left">Statue of Tchaouy (BM 1459) from Deir el-Bahari</td>
                    <td align="center">18&#8211;19</td>
                    <td align="left">black granite</td>
                    <td align="left"><xref ref-type="bibr" rid="B11">Cl&#232;re 1981:
                            214&#8211;5</xref>; <xref ref-type="bibr" rid="B12">1995: 202,
                            204</xref>; <xref ref-type="bibr" rid="B39">Schulz 1992: 383</xref>;
                            <xref ref-type="bibr" rid="B40">Simpson 1972: 69</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">3</td>
                    <td align="left">Statue of Paser (Louvre E 25980) from Memphis or Qantir</td>
                    <td align="center">19</td>
                    <td align="left">diorite</td>
                    <td align="left"><xref ref-type="bibr" rid="B5">Barbotin 1999: 21</xref>; <xref
                            ref-type="bibr" rid="B29">Kitchen 1980: III, 10&#8211;11</xref>; <xref
                            ref-type="bibr" rid="B38">el-Sayed 1975: 32</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">4</td>
                    <td align="left">Small temple of Abu Simbel</td>
                    <td align="center">19</td>
                    <td align="left">rock-cut temple</td>
                    <td align="left">
                        <xref ref-type="bibr" rid="B15">Desroches-Noblecourt 1968:72</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">5</td>
                    <td align="left">Statuette of Piay from Memphis</td>
                    <td align="center">19</td>
                    <td align="left">schist</td>
                    <td align="left"><xref ref-type="bibr" rid="B10">Cl&#232;re 1968: pl. 23
                            (J)</xref>; <xref ref-type="bibr" rid="B29">Kitchen 1980: III, 440
                            (8&#8211;9)</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">6</td>
                    <td align="left">A lintel of Amara West, Sudan</td>
                    <td align="center">19&#8211;20</td>
                    <td align="left">sandstone</td>
                    <td align="left">
                        <xref ref-type="bibr" rid="B41">Spencer 2009: 59, pl. 29</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">7</td>
                    <td align="left">Stela of Penamun (Bristol H 514) from Abydos (?)</td>
                    <td align="center">19&#8211;20</td>
                    <td align="left">limestone</td>
                    <td align="left">Ouda in press</td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">8</td>
                    <td align="left">Lintel of Ra-nefer from Aniba</td>
                    <td align="center">19&#8211;20</td>
                    <td align="left">sandstone</td>
                    <td align="left">
                        <xref ref-type="bibr" rid="B43">Steindorff 1937: 23 (34), Tf. 10, 31b</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">9</td>
                    <td align="left">Jambs of the offering chapel of Bay from Tell Basta</td>
                    <td align="center">20</td>
                    <td align="left">not recorded</td>
                    <td align="left">
                        <xref ref-type="bibr" rid="B29">Kitchen 1983: V, 426, 2</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">10</td>
                    <td align="left">Statue of Mery-May from Kafr Ed-Deir, Minya el-Qamh,
                        Sharqiya</td>
                    <td align="center">25 or 26</td>
                    <td align="left">hard limestone</td>
                    <td align="left"><xref ref-type="bibr" rid="B21">Habachi 1967:
                            33&#8211;34</xref>, figs. <xref ref-type="fig" rid="F1">1</xref>- <xref
                            ref-type="fig" rid="F2">2</xref>
                    </td>
                </tr>
                <tr>
                    <td colspan="5">
                        <hr/>
                    </td>
                </tr>
                <tr>
                    <td align="center">11</td>
                    <td align="left">Statue of Isis (CG 38884) from Saqqara</td>
                    <td align="center">26</td>
                    <td align="left">black basalt</td>
                    <td align="left">
                        <xref ref-type="bibr" rid="B13">Daressy 1906: 221, pl. 44</xref>
                    </td>
                </tr>
            </table>
        </table-wrap>
        <p>In sum, there is no documentation for this block in relation to the date of acquisition,
            excavator, or provenance. The block probably represents the left jamb of a door of a
            chapel or a shrine in a temple or a tomb. The name of Werethekau may stand for the
            goddess Werethekau, and not for the material object or the epithet. The offering formula
            (Htp-di-nsw) is not attested for (the goddess) Werethekau before the Eighteenth Dynasty
            of the New Kingdom (1550&#8211;1069 BC). As this offering formula is a commonplace for
            the goddess Werethekau in the Ramesside Period, the block may be dated to the Ramesside
            Period (1292&#8211;1069 BC).</p>
    </body>
    <back>
        <ack>
            <title>Acknowledgements</title>
            <p>I am grateful to my professor Stephen Quirke for his help and to Sarah Doherty for
                revising my English. I am also thankful to Hana Koriech, the editors and anonymous
                reviewers of PIA.</p>
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