Abstract
Daniel Heller-Roazen’s recent work, Absentees (2021), gathers literary figurations of the absent(ed) or missing to consider the personhood of ‘nonpersons’ from antiquity to the present. With reference to contemporary analogies of virtuality, this critical review highlights the ghosts – or absences – in Heller-Roazen’s book, and proposes the discipline of art history as its spectral afterimage.
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