This review investigates the curatorial logic behind women-only programmes by looking at two recent examples: Tate Britain's Sixty Years collection display and Richard Saltoun's 100% Women exhibition series. Citing examples of similar exhibitions that stretch back to the 1970s, the review asks whether such a strategy - whose newness is routinely invoked - is wearing thin.
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Published on
2020-01-28
Peer Reviewed
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Harvard-style Citation
Julius,
C.
(2020) ''Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020',
Object.
21(1)
Julius,
C.
'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020. Object. 2020 1;
21(1)
Julius,
C.
(2020). 'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020.
Object, 21(1).
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