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Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
Front matter
Editorial
Contents
Article
Cutting the contact zone: race, temporality and history in Peter Lotharius Oxholm’s map of St. Croix (1799)
Helene Birkeli
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
Consuming animals in print: being a live cow on Victorian cattle ships
Rosalind Hayes
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
Review
‘Joan Jonas: In the Trees II’, Amanda Wilkinson Gallery, London, 1 October 2018 – 17 November 2018
Michael Green
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020
Chloe Julius
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
'Utrecht, Caravaggio and Europe', Centraal Museum Utrecht, 16 December 2018 - 24 March 2019. Catalogue: Eds. Bernd Ebert and Liesbeth M. Helmus, Munich, 2018, 304 pages, hardback, ISBN: 978-3-7774-3133-8, £45.00.
Alice Marinelli
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
‘Mantegna and Bellini’, National Gallery, London, 1 October 2018 - 27 January 2019
Laura Scalabrella Spada
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)
Chad Elias, Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon, Durham, North Carolina, Duke University Press, 2018, 264 pages, paperback, ISBN 9780822347668, $25.95.
Kimberly Schreiber
2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)