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Volume 23 • Issue 1 • 2022 • Vol 23 (2022)
Front matter
Editorial
Editorial
Daisy Silver, Daisy Clery and Talia Kwartler
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 4–4
Article
Investigating Fluidity in Hans Haacke’s Condensation Cube (1965) and Gustav Metzger’s Liquid Crystal Environment (1965)
Kitty Whittell
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 7–23
“Made-Unmade-Remade”: Art, History and Identity in A Postcolonial Kinderhood (1994)
Chloe Julius
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 24–46
Politics, Fashion and Female Agency in Parisian Salons c. 1800: The Case of Juliette Récamier
Tania Sheikhan
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 47–64
Review
Dyani White Hawk: Speaking to Relatives, Kemper Museum of Contemporary Art, Kansas City, MO, 18 February–16 May 2021. Catalogue: Ed. Jennifer Doyle, Kemper Museum of Contemporary Art, Kansas City, 2021, 78 pages, paperback, ISBN 9780996272889, $36.00.
Glynnis Stevenson
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 65–67
Andy Warhol, Tate Modern, London, 12 March–15 November 2020. Catalogue: Eds. Gregor Muir and Yilmaz Dziewior (London: Tate Publishing, 2020), 244 pages, hardback, ISBN 1849766711, £40.00; paperback, ISBN 1849766703, £25.00.
Louis Shankar
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 67–69
Daniel Heller-Roazen, Absentees: On Variously Missing Persons, Princeton University Press, Princeton, 2021, 320 pages, hardback, ISBN 9781942130475, £28.00.
Archie Squire
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 69–71
Maya Stanfield-Mazzi, Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820, University of Notre Dame Press, Indiana, 2021, 408 pages, hardback, ISBN 9780268108052, $50.00.
Daen Palma Huse
2022-02-01 Volume 23 • Issue 1 • 2022 • Vol 23 (2022) • 71–73