• Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

    Volume 21 • Issue 1 • 2020 • Vol 21 (2020)


Front matter


Front Matter

Lauren Rozenberg

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Editorial


Editorial

Lauren Rozenberg

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Contents


Contents

Lauren Rozenberg

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Articles


Cutting the contact zone: race, temporality and history in Peter Lotharius Oxholm’s map of St. Croix (1799)

Helene Birkeli

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Consuming animals in print: being a live cow on Victorian cattle ships

Rosalind Hayes

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

A betamale is being beaten

Ivan Knapp

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Reviews


‘Joan Jonas: In the Trees II’, Amanda Wilkinson Gallery, London, 1 October 2018 – 17 November 2018

Michael Green

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020

Chloe Julius

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

'Utrecht, Caravaggio and Europe', Centraal Museum Utrecht, 16 December 2018 - 24 March 2019. Catalogue: Eds. Bernd Ebert and Liesbeth M. Helmus, Munich, 2018, 304 pages, hardback, ISBN: 978-3-7774-3133-8, £45.00.

Alice Marinelli

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

‘Mantegna and Bellini’, National Gallery, London, 1 October 2018 - 27 January 2019

Laura Scalabrella Spada

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Chad Elias, Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon, Durham, North Carolina, Duke University Press, 2018, 264 pages, paperback, ISBN 9780822347668, $25.95.

Kimberly Schreiber

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)

Contributors


Contributors

Lauren Rozenberg

2020-01-28 Volume 21 • Issue 1 • 2020 • Vol 21 (2020)