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Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
Front matter
Contents
Editorial
Article
Violent Erasures: Atrocity, Photographic Archives and the Algerian War of Independence (1954–62)
Katarzyna Falęcka
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
The Intimate Contract of Photography: Haleema Hashim’s Practice and its Afterlives
Mallika Leuzinger
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
The Cost of Sympathy: Towards a Visual Economics of John Webber’s ‘Atlas’
Ben Pollitt
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
The Body Re-Imagined: The Bizzarie di Varie Figure and Performative Cycles of Prints in Seventeenth-Century Florence
Laura Scalabrella Spada
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
The Limits of Seeing and Knowing: Early Modern Anatomy and the Uterine Membranes
Rebecca Whiteley
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
Review
Filip De Boeck and Sammy Baloji, Suturing the City: Living Together in Congo’s Urban Worlds, Autograph ABP, London, 2016
Gabriella Nugent
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
‘Simon Fujiwara: Joanne’, The Photographers’ Gallery, London, 7 October 2016 – 29 January 2017
Marta Zboralska
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
‘A Feast for the Senses: Art and Experience in Medieval Europe’, Walters Art Museum, Baltimore, 16 October 2016 – 8 January 2017
Euan Robson
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
Christian Mieves and Irene Brown (eds), Wonder in Contemporary Artistic Practice, Routledge, New York and London, 2017
Sarah Wade
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
‘Opus Anglicanum: Masterpieces of English Medieval Embroidery’, Victoria and Albert Museum, London, 1 October 2016 – 5 February 2017
Lauren Rozenberg
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)
‘Jana Euler’, Cabinet, London, 19 January – 11 March 2017
Helena Vilalta
2017-11-21 Volume 19 • Issue 1 • 2017 • Vol 19 (2017)